$1k on one song in V4V, versus $750 in 5 years of streaming? ๐
@Ainsley Costello @Wavlake
#SatsBySW
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$1k on one song in V4V, versus $750 in 5 years of streaming? ๐
@Ainsley Costello @Wavlake
#SatsBySW
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๐ #value4value
$1k on one song in V4V, versus $750 in 5 years of streaming? ๐
@Ainsley Costello @Wavlake
#SatsBySW
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This is why I like buying artist's songs and/or sending sats so much! Even though I can't do it for every artist and song, when I do it I at least know they're getting a good portion of the value I'm sending.
.. it would be intesting to understand more on this success!
$1k on one song in V4V, versus $750 in 5 years of streaming? ๐
@Ainsley Costello @Wavlake
#SatsBySW
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hearing this is just wild ๐คฏ
V4V for the win โก
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๐๐ค๐ดโโ ๏ธ
Yep Ainsley is smashing it.
Making money online in almost all industries has always been a scam. Even making money offline is a scam too. It is especially true in the music industry.
Only the fiat bankers who control the entrainment industry choose who makes to the top. The average person will not make it to the the top because the chosen people are groomed into that family and industry as a child.
Bitcoin is and will take down that corrupt system and allow musicians to make some money from their talents. Although don't except to make millions. It's entertainment after all.
Power of BTC V4V ๐ช๐ป
The #V4V is strong with this one. I hear she's playing in Vegas ๐
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Tell us you have no clue how business works without telling us you have no clue how business works, zoomers..๐คฆ๐ปโโ๏ธ
$1,000 is nice, hopefully that will cover your bills for awhile because thatโs all youโre going to make.
Music for profit went out the window in the 80โs, if you want to stay relevant today, you need to have your material exposed to as many people as you can and thatโs what the top music apps bring to the table, not a paycheck, exposure.
V4V is no different than tossing your loose change into the guitar case of a random performer at a train station. Allowing the consumer to determine the value isnโt a good thing.