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I've been working on this guitar for a while now. Easy. No hurries. A lot going on in the workshop so I cannot go fast. But now I'm catching up. It's a nice wooden guitar. The building though, full of sins, as industrial guitars usually have. That bracing was hideous and useless. The gap below the transversal bar was a factory mistake in the glueing. And I am also repairing the back, full of cracks and shrinking gaps. I'm reinforcing the soundhole with thick quartersawn Alerce pieces. Soundholes should not vibrate, they should be rigid. Yet industry guitars take no time doing this reinforcing or they do it very lame and weak, resulting in soundhole vibrating thus deforming the whole top with time and losing sound potential. image image image image image image https://blossom.primal.net/229ba1f2f424819b14d13c3704bd5df415de59f39efa2591d90ed08366f120c9.mp4
2025-10-14 23:12:17 from 1 relay(s) 1 replies ↓
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Also those bolts and nuts holding the bridge, I don't know whose idea was but they were epoxied into the bridge akd in order to pull them out I had to sacrifice the bridge and destroy it. I will make a new one. Sinners, lutherie sinners. Me included nostr:nevent1qqsg97gyhash03f50esu8zckg3zmjwmmqknmnjkcxuk35fzx80lr34qpzemhxue69uhky6t5vdhkjmn9wgh8xmmrd9skcq3qywmvpn3uwykwp080f6hezujucs5k0l7dq5754m846ymuxr7uu66sxpqqqqqqzfkrm8e
2025-10-14 23:16:13 from 1 relay(s) ↑ Parent 1 replies ↓ Reply