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Later interpretations Caspar by Jan van Bijlert. Oil on panel. c. 1640 – c. 1650 Apart from their names, the three Magi developed distinct characteristics in Christian tradition, so that between them they represented the three ages of (adult) man, three geographical and cultural areas, and sometimes other concepts. In one tradition, reflected in art by at least the 14th century—for example, in the Arena Chapel by Giotto in 1305—Caspar is old, normally with a white beard, and gives the gold; he is "King of Tarsus, land of merchants" on the Mediterranean coast of modern Turkey, and is first in line to kneel to Christ. Melchior is middle-aged, giving frankincense from Arabia, and Balthazar is a young man, very often and increasingly black-skinned, with myrrh from Saba (modern southern Yemen). Their ages were often given as 60, 40 and 20 respectively, and their geographical origins were rather variable, with Balthazar increasingly coming from Aksum or other parts of Africa, and being represented accordingly.[58] Balthazar's blackness has been the subject of considerable recent scholarly attention; in art, it is found mostly in northern Europe, beginning from the 12th century, and becoming very common in the north by the 15th.[59] The subject of which king is which and who brought which gift is not without some variation depending on the tradition. The gift of gold is sometimes associated with Melchior as well,[60] and in some traditions Melchior is the oldest of the three Magi.[12] https://en.wikipedia.org/