What you recommending? I've been on a streak of the label called "Internet Ghetto" not a lot of super recent stuff, but new to me!

#INTERNET GHETTO

#INTERNET GHETTO

we are getting closer #

@𝖘𝖊𝖙𝖙𝖔𝖛𝖎𝖈𝖍 skip labels (vampires sucking the blood of creative minds) and try independent musicians, i.e. the v4v ecosystem. Example? @2140Art+2140Music with @Akme @npub1nvqj...cqhk @G.O.L.D @npub1xvh0...8e4l & a few more 👊🏽🎶 g'day!

Hey, thanks! I've been on this bandwagon since 2005. Labels aren't necessary blood sucking vampires. They can be collective of creatives, and promotional collaborations. Kinda like @2140Art+2140Music and yourself are! i invite you to have a look at internet ghetto before tossing them in a crab basket! a good day to you too!

Which one of the handles are the artists in this video?

I can recommend something once I'm done with my playlist I usually have 30 songs to rate and more on a different playlist. And I'll check This out on Bandcamp next hehe. 🤙🏾

My man with the lights. LFG 🚀🚀 🤙🏾🤙🏾 tapping in 🚰

Ah, it's @G.O.L.D actually bought their album "just jewels" on the Nyark label last year! Big fan of the track called "2030". Been going hot at home! Good to see them on nostr 💛

💯 True. Labels can still have a role in a Bitcoin powered music economy, the structure just shifts to being artist led in this model. Something we’ve been discussing alongside @Aaron of Essex @npub1lwfh...cqve and @Angor. An artist led model could mean labels would be beholden (so will the artists) to provide a certain level of service to the artist as a collaborative partner, rather than the asset owner like manner in which many behave. Labels traditionally were helping with artist development, among their other utilities, but this is one of the main things now missing from labels. Artists who understand their worth, leave labels with two choices; - Develop a random manufactured act (Bad labels don’t want this unless they can trick them.) - Work with an established act, who could benefit from further development, but on an agreeable basis Though option one is easy with dangling carrots, the more musicians that turn to NME models, the more fans that use them and budding musicians who are exposed to a different route. Just like tools, labels are not evil, but the people running them can be. 🫡

Thanks @Amplified Tunes 🫡🙏

👊👊 Those Nyark boys are incoming, just got to get Mindor setup so he can understand how to run things.

i live by this doctrine since 2005, and i facilitate the means for artists to liberate themselves since 2010 via @Basspistol HQ but thanks for preaching to this one here little choir bwoy :ignucius: i guess i need to stop changing pfp and display name to be reckon with haha

This song is @npub1xvh0...8e4l @G.O.L.D Micall Parknsun and Trademark Blud. Taken from Airklipz & Micall Parknsun LP

what is mindor?

Mindor is the main guy behind Nyark. Who funny enough does all the videos, travel, mastering and beat sourcing for absolutely no fee or recoup to the artists they work with. Just wants to put out good music and grow. Every penny paid on those projects are put into a pot to help build with label mates.

Dope! :theway: I never had any funds to work with, let alone travel. Just my own salary for server fees and sysadmin skills. For the longest of time, it was a very lonely space. I'm super happy to see that change!

gah.. i always sell myself short! I've traveled a ton, just not as much for music as i can sometime wish. But hey, none of that stopped montreux jazz festival from declaring me an expert in decentralization and digital music community. </humblebrag>

Yeah @𝖘𝖊𝖙𝖙𝖔𝖛𝖎𝖈𝖍 it was a mental shortcut, I meant the legacy stuff, not some smaller grassroots community projects, let them be: labels, studios, promo, etc. Cool to see you're already familiar with some of the names from 2140 🔥🎶 Solid beats. Enjoy! And may the power of unchained music be with you.

Kaboom 👊🏽🎶🔥 and yeah, he's doing really cooOooOool stuff with his grear/tech, all self-built which makes it even more impressive