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The TB-303 was designed for solo performers who needed a bass player but couldn't afford one. The TR-606 was its companion drum machine. Neither was built for art. Both were built for convenience.
Jazz musicians didn't want them. Session players didn't want them. The sound was too synthetic. Too mechanical. Too unnatural.
Then electronic music arrived.
Suddenly, exactly that sound was what everyone was chasing. The TB-303 became one of the most iconic synthesizers in music history. Acid House. Techno. Electronic. It all started with this plain little device that nobody wanted.
The sound was wrong for everything that existed. Which made it perfect for everything that came next.
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21 million. Not one more.
Why is the TB-303 worth over CHF 3,000 today? Because there are no new ones. Roland stopped production long ago. The number of units in existence shrinks every year. Whoever has one keeps it.
Scarcity enforced by physics. By time. By reality.
For sixteen years, there has been another technology built on this same principle. You have probably heard of it.
Bitcoin. 21 million. Not one more. Never.
That is not a company decision. Not an expert opinion. That is mathematics. As immutable as a law of nature.
And just like the TB-303, almost nobody wanted it at first. Until suddenly everyone did.
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Don't trust, verify.
I learned the hard way what it costs to not verify things yourself.
Early in my career, I trusted a mentor. We were going to build a plugin company together. Centred on what he claimed was a linear-phase equalizer with no pre-ringing. Whoever could build that would fundamentally change signal processing.
I invested time, money, and I convinced friends and entrepreneurs who trusted me to get involved.
Then I looked more carefully.
A linear-phase equalizer without pre-ringing is physically impossible. It violates the basic laws of signal processing. Not a matter of opinion. Just physics.
When I confronted him, he told me to stay quiet.
I hung up and immediately called every single investor. Freeze everything. The whole thing was built on a lie.
The truth always comes out. In physics. And in life.
What hurt most, and still does, was the strain on friendships. Something shifted that never fully straightened out.
Since that day, I verify everything myself. Every claim. Every assertion. Every sound. Not because I trust nobody. Because I know what it costs when I don't.
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That is why I run my own Bitcoin full node.
I verify every single transaction myself. Independent of any bank, any platform, any authority. No intermediary. No permission required.
The rules are in the protocol. Mathematics, not opinion. No boss, no bank, no one to ask. Nothing there is negotiable.
Bitcoin did not fascinate me because of the price. It fascinated me because it operates by the same laws as physics.
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Work with nature, not against it.
This is my orientation. In music. In life. In how money works.
Those who work with natural laws win. Those who fight against them lose.
Frequencies do not lie. Mathematics does not lie.
And a device nobody wanted becomes the most iconic synthesizer in history. Because it simply sounds the way it sounds. The truth always surfaces.
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I accept Bitcoin as payment. Not as a gimmick. Because I am convinced it makes the world better. And because lower transaction costs mean I can pass that directly on to you.
Pay with Bitcoin for any seminar, 1:1 coaching, mix or master. 10% off automatically. In the shop or on invoice.






