Submission by Asif Shaikh The Edge is an ongoing black-and-white photographic series exploring moments that exist at the edges of our attention. I photograph ordinary encounters between people, landscapes, light and everyday environments, focusing on scenes that might otherwise disappear unnoticed. The work is shaped by observation rather than intervention. Distance, movement, reflections, changing light and occasional blur become part of the visual language, allowing familiar scenes to move between documentation and abstraction. I am particularly interested in what happens outside the obvious centre of an image: a distant figure, a passing movement, a boundary or a temporary relationship between people and place. The series reflects on the act of noticing itself, and on how slowing down and looking towards the periphery can reveal moments of quiet significance within everyday life. https://asifshaikh.framer.media/ #noicemag #photography

Photo submission by Lisa Bof: Q: What makes a good photograph? A: Love Submit your #photography

NOICE — Photography Magazine: Contemporary Photographers, Galleries & Photography Tools

NOICE is an independent photography magazine featuring contemporary photographers, curated galleries, education, and photography tools. Life is alr...

Submission by Yuliya Matuzava I've tried to capture quiet and natural side of Southern Spain.

Yuliya Matuzava - Portfolio | Photo Malaga

Hello there, I

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Submission by Alice Petruccelli My work centers on what pulls me in completely. Guided by my background in entomology, I look for microscopic details and the play of light that gives life to my subjects. I am drawn to insects because they exist mostly unnoticed—a quality they share with certain urban landscapes. This series is a collection of moments: brief, overlooked glimpses of beauty. #noicemag #photography

SATURDAY SHARE!!! Every Saturday we invite the photographers of Nostr to share our work from the past week, or just all time favorites. Lets see some moving pictures... Reply + Share = #Zap #noicemag #photography #saturdayshare #asknostr

Submission by Kai Freeman These photos are my best efforts at authentically capturing the precise moment when I felt as if the frame in front of me drew me in with something potent, and largely indescribable. There isn't necessarily any intentional, logical meaning behind them, beyond what these frames provoke in me or you. I think my favourite photography doesn't need much context, and doesn't require much thinking. I like immediacy, and being true to capturing what the frame makes me feel and the impressions I get, without much analysis. I used a few different cameras here - the Nikon D700, Kyocera SL400R, Canon IXUS 85IS

Si9net | Christian, Music, Health & Faith Resources by Kai Freeman on Neocities

Christian, health, and faith resources curated by Kai Freeman on Neocities. Explore Christian beliefs, deliverance, health links, and how to be saved.

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Bitcoin: A shared file no single party can edit, kept honest by open competition instead of by trust.

SATURDAY SHARE!! Every Saturday, we invite the photographers of the nostr community to come together, share the work they've made over the past week (or an all-time favorite), and find inspiration through one another. Building a creative routine is one of the best ways to keep growing, and there's nothing better than a community that encourages you to keep making photographs. Share your work below! 👇 Reply + Share = #Zap #noicemag #saturdayshare #photography

Photography by Martha Clarkson. Martha is part of our one-on-one, two-week photography mentorship program, where we work together to curate her photographs, refine her editing process, and discover what strengthens a series - and what doesn't. It's been incredibly rewarding to do these mentorships over the past few months, helping photographers develop a stronger eye for editing and sequencing their work. Learn more on our website:

Mentorship — NOICE Magazine

A two-week, one-on-one mentorship program for photographers. Work directly with the editor of NOICE Magazine to develop, sequence, and refine your ...

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Submission by Gilliard Bressan There is a point in summer when the heat reshapes the day. Shadows sharpen, colours intensify, and every movement is measured against the effort it requires. Heat Wave inhabits that threshold. Made between beaches, lakes and public pools, the series follows the quiet rituals of people seeking relief. Crowded sands become abstract compositions; water offers a temporary escape. Seen from a distance, individual stories vanishes, leaving behind a landscape of bodies, light, and repetition. Rather than documenting leisure, these photographs linger on the peculiar stillness created by extreme heat: a state where the familiar begins to feel slightly unreal. https://www.gilliardbressan.com #noicemag #photography

Proof of work.

Testimonials — NOICE Magazine

What photographers say about being featured on NOICE Magazine. Real stories from artists who've shared their work with our community.

Interesting. Well, thats helpful I suppose... Submit your work. Opt to pay via #Bitcoin:

NOICE — Photography Magazine: Contemporary Photographers, Galleries & Photography Tools

NOICE is an independent photography magazine featuring contemporary photographers, curated galleries, education, and photography tools. Life is alr...

#photography

SATURDAY SHARE!!! Saturdays we try to invite the photographers of #nostr to come together, share our work from the past week, or just all time favorites. Making a good routine and sharing art seems to be a good thing. Lets see what you got! Say something about the photo, share the note and get a #zap. #noicemag #photography #saturdayshare

Photography by Martha Clarkson: Vocabulary of Water Water serves as both subject and collaborator in this ongoing exploration of abstraction. Rather than documenting a landscape, these photographs investigate the visual vocabulary created by reflection, light, and movement. As recognizable forms dissolve into line, gesture, and structure, the surface of the water becomes a place where representation gives way to pattern and perception. l. Line Using the surface of the water as a starting point, this series reduces reflection and movement into geometric compositions. By emphasizing repetition and lines, the images invite viewers to move beyond recognizing water as a subject and instead experience it as shape, rhythm, and form. 2. Gesture Here is the quieter, more fluid patterns that emerge across the water's surface. Curving lines and looping forms drift across the frame, creating abstract compositions that suggest movement without depicting a specific moment or event. The photographs examine the way light and water collaborate to produce fleeting drawings that exist only for an instant before dissolving into something entirely new. 3. Structure In this group of images, the surface of the water becomes a study in structure. Light, reflection, and movement combine to create layered compositions that balance organic motion with an unexpected sense of order. Rather than documenting a landscape, these photographs investigate how texture and underlying patterns transform a familiar element into an abstract visual language

SATURDAY SHARE!!! Every Saturday we invite the photographers of #nostr to share our work from the past week, or just all time favorites. Discover other artists here, connect and have fun. Q: If you could live anywhere in the world, where would it be? Reply + Share = #Zap #noicemag #photography #saturdayshare #asknostr

Submission by Misa Ato The photographs—monochrome images with high contrast—are arranged as diptychs and polyptychs to map out a scenography of wandering. Radical black and white serves as the instrument of this transformation. It strips the world down to its essentials: a vibration of grays, a tension between fullness and emptiness. Through this interplay of contrasts, dry grass becomes punctuation on an invisible manuscript, while architectural structures become the silence that holds it. Photography becomes a quest for this threshold. By exploring the edge, the limit, and the breaking point between materials, I attempt to capture a nameless place, a score of silence where a line becomes script and space transforms into an elemental sign. Here, the image is no longer a window onto the world, but the trace of a place that exists solely through the meeting of light and shadow. Everything here is a matter of confrontation. The silence of the flooded pools—mirrors of a world suspended in time—clashes with the tragic scars of past fires. Charred trunks, standing as stark, graphic sentinels, contrast with the resilience of new shoots striving to erase the traces of devastation. Between shadow and light, between the solidity of rock and the void of space, my work focuses on the "edge"—the very place where metamorphosis unfolds.

misa ato photography

Accueil - misa ato photography

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SATURDAY SHARE!!! Every Saturday we invite the photographers of the #nostr community to come together once per week to share our photos from the past week or just all time favorites. Discover, connect, have fun. Q: Where was your last trip? #noicemag #photography #saturdayshare #asknostr

Submission by Martha Clarkson I am drawn to moments where people, objects, and constructed forms converge or briefly stand in for one another. People occupy space and segue into moments where shadows, portraits, and mannequins hold the same visual weight as live bodies. This body of work interweaves the concept of what and how moves through the observed world, even as it begins to feel slightly misaligned, as if reality might be on a momentary hiatus. These photographs describe my way of seeing.

Martha Clarkson

home - Martha Clarkson

home on Martha Clarkson

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You Think AI Is the Threat. The Real Danger Is Refusing to Adapt. This is chapter 22 from our book "Proof of Work". Listen to it, share it and consider accessing the full book on our website. Unlock each chapter with sats as well.

Proof of Work — A Book About Photography, Attention, and Bitcoin

30 chapters on learning to see, editing honestly, and understanding value. A philosophical book for photographers and independent creatives.

The real danger isn’t Ai. The real danger is refusing to adapt while the world moves forward.