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Patrick W. Deegan is co-founder of SCALE Journal. He contributed to SCALE as author — Issue No. 1 (UCSD 2004 'Palmistry'), Issue No. 2 (Lost in Translation: Caltranzit's Taxi Babel), Issue No. 5 (Scale). 🗨 Email your records to up@scalepublishing.com 🖇 ✍ @pwdeegan 📸 Scan the QR to visit the webpage 🗨 Email your records to up@scalepublishing.com 🖇 image #caltranzit #palmistry #pwdeegan #deegan #ucsd #ucsdvisarts #writing #journal #artstr
Sarawut Chutiwongpeti Sarawut Chutiwongpeti contributed to SCALE as author — Issues No. 8–9 (At the Dawn of the 21st Century: A View-Thought 'The Red Window'). 🗨 Email your records to up@scalepublishing.com 🖇 📸 Scan the QR to visit the webpage 🗨 Email your records to up@scalepublishing.com 🖇 image #artstr
The Chisa contributed to SCALE as author — Issues No. 6–7 (Notes on Medusa My Love). "Medusa, My Love" reimagines the Perseus–Medusa myth: instead of a monster, Medusa is a beautiful, mistrustful goddess—victim of patriarchal storytelling. The song explores trust and opposing mythic perspectives, blending poem and music, and features vocals by Detroit button-maker Alice Stevens. The piece has a link to an MP3: Medusa_My_Love.mp3 🗨 Email your records to up@scalepublishing.com 🖇 ✍ @alice_stevens ✍ @detroitmusic ✍ @womeninmusic ✍ @mythologyminute ✍ @feminist_art_collective ✍ @indie_music_daily ✍ @poetrycommunity ✍ @folkwaysrecords ✍ @arthistoryfeed ✍ @smallbusiness 📸 Scan the QR to visit the webpage 🗨 Email your records to up@scalepublishing.com 🖇 #MedusaMyLove #ReimaginedMyth #FeministFolklore #MythRemix #PoemToSong #IndieMusic #WomenInMusic #DetroitMusic #FolkloreReborn #ArtAndMyth #artstr
Scale Week 20 六 liù answers 40 questions. Are you a Zerowaste Energist? Scale Week 20 六 liù answers 40 questions. Zerowaste Energist Information Management (ZEIM) is cracked in the writing, Energy Streams. Scale 20 places secret information in plane view. Can you handle the realidad? 🖇 #OpenHardware #DigitalPreservation #ZeroWaste #CreativeTech
Mark Amerika contributed to SCALE as author — Issues No. 8–9 (Nuke King Lear). ✍ @markamerika 📸 Scan the QR to visit the webpage 🗨 Email your records to up@scalepublishing.com 🖇 image #MarkAmerika #DigitalArt #NetArt #NewMediaArt #ExperimentalWriting #Hypermedia #ElectronicLiterature #RemixCulture #MediaTheory #DigitalPoetry #AvantGardeArt #ConceptualArt #ContemporaryArt #ArtAndTechnology #Postdigital #CreativeCoding #InteractiveArt #MultimediaArt #ArtCriticism #ExperimentalFilm #ArtistWriter #Cyberculture #DigitalNarrative #VisualPoetry #MediaArtHistory #NetCulture #ArtResearch #Transmedia #PerformanceArt #ContemporaryMedia #artstr
Scale Week 21 七 qī — released June 8, 2019 Scale Week 21 七 qī energizes. Aaron Owens shares "Art Speak"; Clément Renaud writes on Shenzhen for the Lyon government; Jon Phillips notes toward collected work—"USA is the past. China is the past. We are working on the next thing, right?" ✍ @owensaaron ✍ @clement.renaud ✍ @phi__company 📸 Scan the QR to visit the webpage 🗨 Email your records to up@scalepublishing.com 🖇 #artstr
Christopher Adams Christopher Adams is an art producer and computer programmer based in Taipei. He builds software for the web, blockchain, and distributed systems, and works as a photographer and visual artist across film, digital, and AI—often picturing artists, exhibitions, and audiences (relational portraiture). Past projects include Launch Stage (Taipei Dangdai), All the Color in the World with Jun Yang, Altar Space with Yao Jui-Chung, and FREESOULS with Joi Ito; his work has appeared at MoCA Taipei, Ars Electronica, transmediale, and related venues. For SCALE he designed (UN)LOCKED: Memories of Wuhan (2021, CC0), contributed to SCALE Multiplier, and builds open archive tools—including the ArtCrimes site at graffiti.org for the Fabricatorz network. 🖇
Christopher Adams is an art producer and computer programmer based in Taipei. He builds software for the web, blockchain, and distributed systems, and works as a photographer and visual artist across film, digital, and AI—often picturing artists, exhibitions, and audiences (relational portraiture). Past projects include Launch Stage (Taipei Dangdai), All the Color in the World with Jun Yang, Altar Space with Yao Jui-Chung, and FREESOULS with Joi Ito; his work has appeared at MoCA Taipei, Ars Electronica, transmediale, and related venues. For SCALE he designed (UN)LOCKED: Memories of Wuhan (2021, CC0), contributed to SCALE Multiplier, and builds open archive tools—including the ArtCrimes site at graffiti.org for the Fabricatorz network. ✍ @christopherleeadams 📸 Scan the QR to visit the webpage 🗨 Email your records to up@scalepublishing.com 🖇 #artstr
Restoring SCALE 2019 — weeks 5–21, now republished with open PDFs, full “word of the week” essays, and complete curated link rivers. A reconstructed editorial mirror that preserves the season’s timeline — from Shenzhen reportage and Hong Kong events to the lead-in toward the pandemic — and the people behind it (Jon Phillips, Clément Renaud, Fabricatorz). Read the restored issues and download the PDFs — corrections welcome. For those who dig there is a reward :) ✍ @fabricatorz ✍ @clement.renaud 📸 Scan the QR to visit the news 🗨 Email your records to up@scalepublishing.com 🖇 #SCALE #archiving #opensource #QiHardware #zine #digitalarchives #Shenzhen #publishing #restoration #opensourcehardware #artstr
Restoring SCALE 2004 Restored archive release: SCALE Volume 1 (2004) — nine issues born at UC San Diego exploring aesthetics + computation. Full issues now available as open PDFs and backdated posts; read the origins of open‑source publishing and early experiments in networked communities. Here is a sampling of the people who contributed to SCALE: 🖇 #SCALE #DigitalHumanities #OpenAccess #AestheticsAndComputation #cfp #opencall #writers
Restored archive release: SCALE Volume 1 (2004) — nine issues born at UC San Diego exploring aesthetics + computation. Full issues now available as open PDFs and backdated posts; read the origins of open‑source publishing and early experiments in networked communities. Here is a sampling of the people who contributed to SCALE: ✍ @ucsdvisarts ✍ @levmanovich ✍ @desmothernista ✍ @rrrubenochoa ✍ @ampersandneil ✍ @joel.swanson ✍ @matthopestudio ✍ @onetwothreenet ✍ @patrickmillerstudio ✍ @sikestyle ✍ @mikepodolak ✍ @john.richey ✍ @randallchristopher ✍ @markamerika 📸 Scan the QR to visit the news 🗨 Email your records to up@scalepublishing.com 🖇 #SCALE #DigitalHumanities #OpenAccess #AestheticsAndComputation #cfp #opencall #writers #artstr
△ Meet our new mark. Clean, simple, and legible at any size — the white up‑pointing triangle (△, U+25B3) replaces the denser nested glyph so our symbol reads clearly from favicons to mastheads. Still in SCALE purple (#800080), the triangle points up — lift, measure, index — echoing our work across scales: journals, weekly editions, and anthologies. This is a small chrome update ahead of bigger catalog work. Have Records or PDFs from missing years? Send them to up@scalepublishing.com. 🖇