BIT BLOCK BOOM
Asanoha | Timechain Art Magazine
asanoha@nostrplebs.com
npub1mfnd...6f8v
Artist | sovereignremnant.com
Founder | timechainartmagazine.com
Host | bitcoinartpodcast.com
“The line of differentiation between the masses and the Remnant is set invariably by quality, not by circumstance.” - Albert Jay Nock
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THE BITCOIN GRENADE COLLECTORS SET IS HERE!
@CryptoCloaks™
@BtcPins
Set #1/21 + an original 1/1 is being auctioned off here.
There will be 7 available at my booth at Bit Block Boom! Make sure to check it out!
The remaining units will be for sale on @CryptoCloaks™ shop after the conference.


Bitcoin Grenade #802109 1/1 + Bitcoin Grenade Collectors Set 1/21
An Appeal To Heaven
“And where the body of the people, or any single man, is deprived of their right, or is under the exercise of a power withou...

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The Society of the Spectacle is a critique of contemporary consumer culture and commodity fetishism, dealing with issues such as class alienation, cultural homogenization, and mass media.
All that was once directly lived has become mere representation. Images have supplanted genuine human interaction. The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images.
In a consumer society, social life is not about living, but about having; the spectacle uses the image to convey what people need and must have.
Consequently, social life moves further, leaving a state of "having" and proceeding into a state of "appearing"; namely the appearance of the image. In a world which really is topsy-turvy, the true is a moment of the false.
The spectacle is the inverted image of society in which relations between commodities have supplanted relations between people, in which passive identification with the spectacle supplants genuine activity.
All that once was directly lived has become mere representation. The decline of being into having, and having into merely appearing. This is the historical moment at which the commodity completes its colonization of social life.
The spectacle is not a collection of images, rather, it is a social relation among people, mediated by images.
In the spectacular society the quality of life is impoverished, with such a lack of authenticity that human perceptions are affected, and an attendant degradation of knowledge, which in turn hinders critical thought.
The critical truth of this destruction, the real life of modern poetry and art is obviously hidden, since the spectacle, whose function is to make history forgotten within culture.
The alienation of the spectator to the profit of the contemplated object is expressed in: the more he contemplates the less he lives; the more he accepts recognizing himself in the dominant images of need, the less he understands his own existence and his own desires.
The externality of the spectacle in relation to the active man appears in the fact that his own gestures are no longer his but those of another who represents them to him. This is why the spectator feels at home nowhere, because the spectacle is everywhere.
In the intensified alienation of modern capitalism, the immense majority of workers have lost all power over the use of their lives.
The spectacle obfuscates the past, imploding it with the future into an undifferentiated mass, a type of never-ending present; In this way the spectacle prevents individuals from realizing that the society of spectacle is only a moment in history, one that can be overturned through revolution.
- Excerpts from: The Society of the Spectacle by Guy Debord, 1967
Where do I get my npub QR but with the little nostrich in the QR code?
Taxation is theft.