SEPTEMBER 10, 2001 — UNO NUNCA MUERE LA VÍSPERA Editor, Cinematographer: Monika Bravo Score, Sound: flora & fauna, Codek Records 2000 Wtc 9/11 24 years ago today. I am asked repeatedly to allow this footage to be shown. I created it as an art piece based on a personal experience, and this is the way it is meant to be shown. I was part of the WORLD VIEWS Studio program at the World Trade Center (LMCC), for three and a half months along with other 14 artists, we shared 1000 s/f on the 92nd floor of tower 1. On September 10th like any other day I set up my camera and recorded in time lapse images from the harbor , these images were going to be part of an interactive video installation I was working at the time (A_Maze). After the tragic events of the following morning, where artist Michael Richards lost his life, I decided to create this document in his memory. The film is five minutes long but the footage was recorded for almost seven hours it depicts an unusual thunderstorm from what it would be the last day of the WTC.

In alignment - Gravity - Synergy - Happy Monday

Llms- human assistants - the logos Upcoming article Monikabravo.blog

Surrendering - evolving through accountability and maturation -eclipses #vlog 💥⚡️

a short glimpse of Bitcoin's chart and archetypes read from the evolutionary astrology perspective View article →

This is the last revision before the leap forward, the last pause before individuation jumps into new form. Uranus propels us to change; Uranus says this is no longer needed; Uranus deconditions what has crystallized and stopped growing...👇 View article →

Legality versus lawfulness 👇

F* yeah The property of my body cannot be governed by any other authority than myself - all legal mandates are UNLAWFUL Period between you and me you got to STAND for your inalienable rights! 🚨 MAJOR BREAKING: The Surgeon General of Florida just announced ALL VACCINE MANDATES IN FLORIDA will be ENDED, and the room erupted. All. Not just COVID. ALL. JOSEPH LADAPO: "Every last one is wrong and DRIPS with disdain and slavery! Who am I, or anyone else, to tell YOU what you should put in your body? Who am I to tell you what your CHILD should put in their body? I don't have that right. Your body is a gift from God. What you put into your body is because of your relationship with your Body and God." "Pretty much every state has them. It's WRONG."

In this conversation I read Robert’s evolutionary astrology chart—>on the surface pointing to how Pluto in Scorpio conjoins his South Node in his third house. My presence in this conversation comes through as resonance, where I am attuning and speaking in a rhythm that invites rather than concludes, while I weave evolutionary astrology, human design, etymology, and Bitcoin into an embodied field of meaning. The conversation feels compelling because it opens threads that are rarely brought together—how symbolic systems and technologies both hold the possibility of sovereignty, memory, and personal agency. This bonus episode with Robert Breedlove (WiM513) reveals the polarity and vitality of dialogue between libertarian logic and embodied resonance. Breedlove grounds the exchange in economic reasoning, while I translate symbolic languages into myth, archetype, and spirit, always returning to inner authority and sovereignty. The conversation marks a turning point where I first spoke publicly as a polymath, initiating a period of intentional expansion and seeding the architecture of my value. Full episode

BONUS-ePIsoDE: Into the Esoteric: Astrology, Etymology, & Bitcoin

Watch now | (WiM513) WiM Media (Robert Breedlove) (aired 9/2024)

I was fortunate enough to have a mother and a grandmother who created preschools out of these pedagogic streams, which is probably why I’m a creative weirdo, shaping the world through imagination and independence, and inspiring others to be unique. Steiner/Waldorf is about rhythm, imagination, art and beauty, and the wonder of storytelling and seasonal cycles woven into daily life; Montessori is about independence, sensorimotor learning, and freedom to choose; John Dewey is about inquiry and how to collaborate democratically. then I entered normal school and it was a shock, I was constantly punished for being myself, but that gave me the resilience to be the person I am right now, so yay! My mother was so unique that for her, weaving Steiner’s rhythm and wonder, Montessori’s sensorimotor independence, and Dewey’s spirit of inquiry and collaboration was something supernatural, an instinct she carried with ease. Her aim was always to give children the possibility to discover things by themselves, to find freedom through presence and rhythm, and that is the legacy I carry. This clip is from On It Off It is a podcast 👇

Recorded mid August 2024, aired mid Sept 2024 I asked my AI-trained assistant to reflect back to me (from the transcript), as a mirror. The themes were how I can be perceived, why this podcast is interesting, what my role is and why people connect to me, and the relationship between @Robert Breedlove and me within this context. I did this because when I recorded the conversation, I fell into a trance. I realized I had initiated a period of intentional expansion—seeding my synthesized voice and the architecture of my value. Now, a year later, I can clearly see why it was a pivotal moment. This was the first podcast where I spoke as a polymath. […] I may be perceived in a plethora of ways. I might not be understood, and I am willing to risk it. Some seekers feel recognition, as if I am reminding them of something they already know. Skeptics may find the language layered and unfamiliar, yet still resonate with the call to responsibility and sovereignty. Bitcoiners encounter a rare synthesis that widens freedom into culture, ancestry, and spirit. This conversation is for those who want coherence across different universes—economics and myth, technology and language, intellect and intuition. Unknowingly, these dimensions remain invitational.

Equilibrium is a process. Finding the gravity line is essential for realignment—>both in life and in markets, which reflect human behavior Bitcoin reached the anticipated 107K level as expected, with multiple timeframe analysis revealing a powerful confluence at 99K where both 3-week and monthly equilibrium levels (Kijun-sen) converge. Red volume patterns across timeframes support continued downside pressure toward this major 99K zone, though scenario invalidation would occur if price reclaims the 112K daily equilibrium level. From September 4th until 9th [eclipse Sept 7th], the next critical phase will determine whether Bitcoin consolidates or seeks deeper 99K rebalancing after the rapid April-August rally from 78K to 124K.

So by 62 I will be100 percent fit and toned - glad to be back to training …. Seniority in Miami Beach = free gym all by myself -> perks

Knowing how it works (money) then both decisions and risks are subjective.

Upcoming eclipses : So right now, not only do we have these eclipses in this nodal axis, but we have Saturn, that takes 30 years to come back to the same place, activating these eclipses as it goes back to Pisces. The lord of time has already been a few months in Aries showing us where we have to be based, have courage, become individuated. Suddenly he says “oopsie, I forgot something, I have to go back, try to fetch it.” The whole deal with Saturn going back is not to fall into a role that has been outgrown, like for instance: any role of victimization: poor me, it’s just happening to me, I can’t believe it. Anything that takes you away from your own responsibility and you start blaming even the mosquito that is hovering around your skin, stop it! that’s when you know that you’re going back to the past and it’s not a good place where to be. Facing the Mirror -So what’s going on here? -What’s going on? -Have you done any changes that feel like big accomplishments in the last few months? Have you let go of a lot of shit that you never thought you were going to let go of? -Are you fed up with certain things in your life that kind of dissolve into a new beginning? Well, hold on to your braces because there’s going to be a little bit of a shake, and we’re going to be thrown back to the past just to make sure that we didn’t forget something. Imagine you’re going back to that rabbit hole that it took you forever to get out of because you finally saw the light, but now you’re given the last opportunity to say: -are you sure? -are you sure? -are you REALLY sure? Because the reset of 2026 onwards, there’s no way back. That’s why I find the coming eclipse so fascinating. Things are happening. I always see things from the optimistic point of view. I can’t do it otherwise. And even in moments of darkness, I look at myself in the mirror and go: Come on, Monika, there’s always another way. Come on, we can do this. So here’s the deal: If you still think there’s a part of yourself that is still faking it and nobody has been able to catch that lie, this is the time for you to face yourself completely in the mirror and go: I can do better than this. I can take responsibility for these snafus, whether it’s in economic decisions, whether they’re relational decisions, information that you got wrong, creative endeavors, how you deal with your personal daily habits, your professional career, how you’re projecting yourself outward, your ideologies, and even how you tell lies in front of yourself when you’re in front of your unconscious. That’s a double whammy: seeing things being revealed to you and then saying, “no, that’s not happening!”

ᴀʀᴄᴀɴᴀ_ɪɴᴛᴇʀᴅɪꜱᴄɪᴘʟɪɴᴀʀʏ ᴇɴɢɪɴᴇᴇʀɪɴɢ ʙᴜɪʟᴅɪɴɢ. ᴜ. ᴡᴀꜱʜɪɴɢᴛᴏɴ, 2025 𝗔𝗻 𝗶𝗺𝗺𝗲𝗿𝘀𝗶𝘃𝗲 𝗴𝗹𝗮𝘀𝘀 𝗮𝗻𝗱 𝗺𝗲𝘁𝗮𝗹 𝘀𝗶𝘁𝗲 𝗶𝗻𝘁𝗲𝗿𝘃𝗲𝗻𝘁𝗶𝗼𝗻 𝗮𝘁 𝘁𝗵𝗲 𝗶𝗻𝘁𝗲𝗿𝗱𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗮𝗿𝘆 𝗲𝗻𝗴𝗶𝗻𝗲𝗲𝗿𝗶𝗻𝗴 𝗯𝘂𝗶𝗹𝗱𝗶𝗻𝗴 (𝘂. 𝗪𝗮𝘀𝗵𝗶𝗻𝗴𝘁𝗼𝗻), 𝗰𝗿𝗲𝗮𝘁𝗶𝗻𝗴 𝗮 𝗱𝘆𝗻𝗮𝗺𝗶𝗰, 𝘀𝘁𝗮𝗴𝗲-𝗹𝗶𝗸𝗲 𝘄𝗿𝗮𝗽𝗮𝗿𝗼𝘂𝗻𝗱 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝘁𝗵𝗮𝘁 𝗲𝗺𝗯𝗿𝗮𝗰𝗲𝘀 𝗮𝗻𝗱 𝘀𝗵𝗮𝗽𝗲𝘀 𝗮𝗻 𝗲𝘃𝗲𝗿-𝗰𝗵𝗮𝗻𝗴𝗶𝗻𝗴 𝗲𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝗹𝗶𝗴𝗵𝘁 𝗮𝗻𝗱 𝗽𝗲𝗿𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲. 𝗩𝗶𝗯𝗿𝗮𝗻𝘁 𝗴𝗹𝗮𝘀𝘀 𝗽𝗮𝗻𝗲𝗹𝘀 𝗶𝗻𝘁𝗲𝗿𝗮𝗰𝘁 𝘄𝗶𝘁𝗵 𝗺𝗲𝘁𝗮𝗹 𝘀𝗶𝗹𝗵𝗼𝘂𝗲𝘁𝘁𝗲𝘀, 𝗳𝗼𝗿𝗺𝗶𝗻𝗴 𝗹𝗮𝘆𝗲𝗿𝗲𝗱 𝗰𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻𝘀 𝘁𝗵𝗮𝘁 𝘀𝗵𝗶𝗳𝘁 𝗱𝗲𝗽𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻 𝘁𝗵𝗲 𝘃𝗶𝗲𝘄𝗲𝗿’𝘀 𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻, 𝗯𝗼𝘁𝗵 𝗶𝗻𝗱𝗼𝗼𝗿𝘀 𝗮𝗻𝗱 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝘀𝘂𝗿𝗿𝗼𝘂𝗻𝗱𝗶𝗻𝗴 𝗼𝘂𝘁𝗱𝗼𝗼𝗿 𝘀𝗽𝗮𝗰𝗲𝘀. 𝗜𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗯𝘆 𝗼𝘀𝗸𝗮𝗿 𝘀𝗰𝗵𝗹𝗲𝗺𝗺𝗲𝗿’𝘀 𝘁𝗿𝗶𝗮𝗱𝗶𝗰 𝗯𝗮𝗹𝗹𝗲𝘁, 𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝗵𝘂𝗺𝗮𝗻 𝗳𝗼𝗿𝗺 𝗶𝘀 𝗿𝗲𝗶𝗺𝗮𝗴𝗶𝗻𝗲𝗱 𝗮𝘀 𝘀𝗽𝗵𝗲𝗿𝗲𝘀, 𝗰𝗼𝗻𝗲𝘀, 𝗮𝗻𝗱 𝗰𝘆𝗹𝗶𝗻𝗱𝗲𝗿𝘀, 𝗶𝘁 𝘁𝗿𝗮𝗻𝘀𝗹𝗮𝘁𝗲𝘀 𝘁𝗵𝗶𝘀 𝗴𝗲𝗼𝗺𝗲𝘁𝗿𝘆 𝗶𝗻𝘁𝗼 𝗮 𝘀𝘁𝗿𝘂𝗰𝘁𝘂𝗿𝗮𝗹 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲 𝗼𝗳 𝗲𝗻𝗴𝗶𝗻𝗲𝗲𝗿𝗶𝗻𝗴—𝗶𝗻𝘁𝗲𝗴𝗿𝗮𝘁𝗶𝗻𝗴 𝗳𝗼𝗿𝗺, 𝗺𝗼𝘁𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗽𝗲𝗿𝗰𝗲𝗽𝘁𝗶𝗼𝗻. @glasmalereipeters @visolighting @artswapublicart 𝙿𝚑𝚘𝚝𝚘 𝚌𝚛𝚎𝚍𝚒𝚝: 𝚎𝚟𝚎𝚛𝚢𝚝𝚑𝚒𝚗𝚐 𝚝𝚒𝚖𝚎 𝚜𝚝𝚞𝚍𝚒𝚘- 𝚏𝚊𝚋𝚛𝚒𝚌𝚊𝚝𝚘𝚛𝚜: 𝚐𝚕𝚊𝚜𝚖𝚊𝚕𝚎𝚛𝚎𝚒 𝚙𝚎𝚝𝚎𝚛𝚜 𝚊𝚗𝚍 𝚟𝚒𝚜𝚘. 𝚌𝚘𝚖𝚖𝚒𝚜𝚜𝚒𝚘𝚗𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝚞𝚗𝚒𝚟𝚎𝚛𝚜𝚒𝚝𝚢 𝚘𝚏 𝚠𝚊𝚜𝚑𝚒𝚗𝚐𝚝𝚘𝚗 𝚏𝚘𝚛 𝚝𝚑𝚎𝚒𝚛 𝚒𝚗𝚝𝚎𝚛𝚍𝚒𝚜𝚌𝚒𝚙𝚕𝚒𝚗𝚊𝚛𝚢 𝚎𝚗𝚐𝚒𝚗𝚎𝚎𝚛𝚒𝚗𝚐 𝚋𝚞𝚒𝚕𝚍𝚒𝚗𝚐 𝚊𝚗𝚍 𝚒𝚜 𝚋𝚎𝚒𝚗𝚐 𝚖𝚊𝚗𝚊𝚐𝚎𝚍 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚝𝚑𝚎 𝚠𝚊𝚜𝚑𝚒𝚗𝚐𝚝𝚘𝚗 𝚜𝚝𝚊𝚝𝚎 𝚊𝚛𝚝𝚜 𝚌𝚘𝚖𝚖𝚒𝚜𝚜𝚒𝚘𝚗​.