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Mark
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One day, I'll be good at producing quality software and will have intelligent things to say about it
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Mark 7 months ago
Depressive Personality Style with John Puder and Jonathan Shedler:
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Mark 7 months ago
End times signal: "More microservices than users"
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Mark 7 months ago
22 senators read from the same script
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Mark 7 months ago
Interview about the id tech 8 engine
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Mark 8 months ago
"Hungarian physician and scientist of German descent who was an early pioneer of antiseptic procedures [...] He could offer no theoretical explanation for his findings of reduced mortality due to hand-washing, and some doctors were offended at the suggestion that they should wash their hands and mocked him for it. In 1865, the increasingly outspoken Semmelweis allegedly suffered a nervous breakdown and was committed to an asylum by his colleagues. In the asylum, he was beaten by the guards. He died 14 days later" Punished for innovation.
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Mark 8 months ago
Death diving competition
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Mark 8 months ago
I like to revisit this talk every few years - timeless message. The Silver Bullet Syndrome by Hadi Hariri:
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Mark 8 months ago
US crosswalk hacked to deliver messages as Bezo, Zuckerberg, Musk
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Mark 8 months ago
[S]ecurity and academic researchers have found that AI code assistants invent package names. In a recent study, researchers found that about 5.2 percent of package suggestions from commercial models didn't exist, compared to 21.7 percent from open source or openly available models. Running that code should result in an error when importing a non-existent package. But miscreants have realized that they can hijack the hallucination for their own benefit.
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Mark 9 months ago
Stanley Druckenmiller 2023 keynote at USC Marshall
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Mark 10 months ago
Reviews of Three Colours: Blue tend to miss a key part of the film, in my opinion. Julie composes music with her husband, which he takes credit for despite her being the creative driving force behind them. When he dies, they are half way through composing a piece, so Julie feels she must stop writing the piece. But it doesn't work: she is literally haunted by the half-complete composition, and cannot stop new sections coming to mind. Her desire to stop composing is symbolic of her desire to escape her grief, and resolves when she agrees to finish the piece and put her name on it. The interplay between her grief and the unfinished composition is central to understanding the film.