Are you even a 90s teenager if you never fantasized about BUSH?

GOOOOOOOFY FAAFO MORNING @arbt #WEIRDOS

OK, so long ago when I was embedded with Roan‘s half the time and special operations forces the other half and actually I did it in third didn’t I OK so technically I was 1. Basically the acting adjutant as an E4 because my commander got tired of him constantly asking me for the answers that he had me take his place one day and it really pissed off like one of the company commanders Slo fee. 2. And he was such an arrogant prick about it like the entire command had already given me a green to gold scholarship and this motherfucker wants to not sign off. It’s like go fuck yourself. 3. It’s like I’m sorry Sophie that you’re a fucking arrogant motherfucking pig who fucking looks at me and just sees a fucking walking mattress but some men don’t see women that way so go fuck yourself for real bro seriously yeah I’m still holding that trauma so you either come to me and apologize or get the fuck out of my way because I’ll fucking LEAD this army against you 4. So as an E4, yeah I spent it was divided in thirds 1/3 with FSB command 1/3 with OSUT … Ranger delta force 1/3 absolutely fucking the dog shit out of a hot rock on I mean fuck OK really I mean technically I wasn’t but you know when I did I mean that shit was memorable. I mean so fucking good 🤣🤣🤣🤣🤣 Anyway, so I found a picture of us a few years back and it sits in another house underneath a rainbow triangle candle so I’m kind of laughing, aren’t you?

Guys who said little case on cutie, you know he has a really nice voice I like besides Jack’s I think it’s like my yeah it’s probably my second favorite voice to listen to what’s his name Eric Cason is that right? @Erik Cason yeah him I like his voice. It’s probably number two like for me to listen to his voice and just like chill out too. You know when I like need to kick in the ass you know yeah like you know Kayson like military caissons you know what I’m talking about like on teams y’all know about that shit right

So apparently, I’m in DJ mode right now but y’all remember this banger power of love you know back to the future remember what are the numbers again on that? Crap I need Derek Derek where are you? @Derek Ross hey you’re a nerd about back to the future. Do you have any of those videos from a couple years back you were sharing

The Legend of Billie Jean My beloved movie representing teenage me I’ve always fucking loved it. I mean it’s a classic you can’t beat it. Plus you know I always thought Christian and Helen Slater were related for years and I thought OK but the sexual tension there and then you find out later that they’re not in you’re like oh yeah it’s all about perception right 🤣🤣🤣

Purple rain, Prince Revolution. I use a hell of a theme song for world, unity, and peace and revolution.

And my romantic 💝 teenage years me wrote this on jacks birthday 🎁 We speak About my trip To Paris to see Lizard mans grave They don’t tell An almost ecstatic Wild looking tourist How HUGE that cemetery is So there I was Lost in a cemetery Much older than I knew From the USA Spiritus Roughest Ego Seer eyes -Blinded away from grave So here’s the the Spiritual Seers of the unseen When did Jimi die? We were all so young And stoned Too much Electricity In our bodies Minds and reigns It wasn’t a battle It was just allllll So much fun I enjoy another Spirit spinner To - chase the tail again Then again Maybe I’m happy She liked Val Kilmers lips Cause that almost got her To watch “the Doors” But who becomes That ego Cause she hasn’t yet Given in to the Reality Though her whispers Hear every Possible Questions and answers Asked above the floor (1/2) I got her with Love Me Two times Before high school She learned to play Clarinet and saxophone Quite good even If I just tell you myself Pointless or not She’s a sprite Full of sassafras And country She blazed her own Way out But Addictions -lead back to words Then the sun his Blazing on and There within Must wonder if you saw this What Whit posted and when Did you see it before Or after Was tilted perceptions Mine or yours Ours 23 and me She blows brighter Since When The sun Blazes Moon rushes Fools -Beget us again Jimi I guess you told me Inheritance taken But I want the Peyote Amiright Oh yeah Back to being a seer Of other cosmic connections Space reflections You can do it Whit You do have your place sealed Golden records are whatever Compared to what you are Come back & l… I ask you think of me. And the lifetimes I’ve had On Earth as a predator Why do you think You’re a woman so soon again? Cause you had to learn More respect this time So you can communicate And be a leader of ken dolls Cause you’ve already been Of men Which path will yo What path will you chose now? Yeah girl, listen…you did chose I know, I chose it all But how much paint and fumes To fill the wonders away It’s not fair to put All that into a child so young Cause visions are second Hand traumas of others Loves and loved history mistaken So you get a Churchill Or a guarding child Someone with the skills to raise But yes, just cause you HAD TO Walk through hell And did Doesn’t mean you had To make one Others life War against herself And others No one understood Get Away I’m done That’s the damness of it She has seen the unseen Gaslit of her dreams Cause profit made in the past Appears to be my ego Playing on her heartstrings Again within Would her call to action Or others change If she chose to chiefly Take Monetarily dictation of Ha. A paperback writer? A book for today? I don’t know. DNA traveling Astral blasts Iconoclastic Not withstanding Her voice brash It’s the blasting To get others To mine their own mind Then heart Surgical connections Too many Believe Life ends -awaken ——— Veni Creator Spiritus Please help support the mission of New Adventand get the full contents of this website as an instant download. Includes the Catholic Encyclopedia, Church Fathers, Summa, Bible and more — all for only $19.99... The "most famous of hymns" (Frere), is assigned in the Roman Breviary to Vespers (I and II) and Terce of Pentecost and throughout the octave. The Church also sings it at such solemn functions as the election of popes, the consecration of bishops, the ordination of priests, the dedication of churches, the celebration of synods or councils, the coronation of kings, etc. It is also sung in the more private devotions attending the opening and closing of that scholastic year in institutions of learning. The Congregation of Rites decreed (20 June, 1899) that the Eastertide doxology(Deo Patri sit gloria — Et Filio qui a mortuis — Surrexit ac Paraclito — In sæculorum sæcula) should always be used, no matter what, the feast or season of the year might be. The Vatican Graduale (1908) gives the older text, (attestation of which does not go back beyond the ninth century) and also, under the heading "secundum usum recentiorem", the present Breviary text, which is a revision, in the interest of classical prosody, of the older text, by the correctors of the Breviary under Urban VIII. The doxology of the older text (which is probably not original with the text itself) is: "Sit laus Patri cum Filio — Sancto simul Paraclito — Nobisque mittat Filius — Charisma Sancti Spiritus". This doxologyis generally associated with the hymn "Beata nobis gaudia". It is unnecessary to indicate here the points of revision, since the printing of both texts in the Vatican Graduale makes comparison easy. Hymnologists think the revision uncalled for. Dreves (Analecta Hymnica, L, 195) places the hymn in the section he devotes to Rabanus Maurus (d. 856), Abbot of Fulda and Archbishop of Mainz, and shows (p. 194) the importance of the manuscript evidence in his favour. Frere (Introduction to Hymns Ancient and Modern, historical edition, p. xxii) thinks the hymn can with some confidence" be ascribed to him; as does also Blume (1908). Added support of the ascription is found in the scansion of the line Qui Paracletus dicitur (revised into Qui dicitur Paraclitus"), where, in accordance with precedent found in Rabanus, Paracletus is accented on the penultimate syllable, as against the almost universal medieval custom of accenting it on the ante-penultimate, an illustration of which is found in the third line of the doxology (which is not part of the original hymn). Guéranger with many others, ascribed the hymn to Charlemagne, but with slight ground except his zeal for the doctrine of the Procession of the Holy Ghost from Father and Son. The legendary story of Ekkehard V contains its own refutation. The hymn has also been attributed to St. Ambrose and to St. Gregory the Great, but without real evidence for either ascription. No ancient writer ascribes it to St. Ambrose, nor can a good argument be based on its inclusion of two lines (Infirma nostri corporis — Virtute firmans perpeti) from the "Veni Redemptor gentium" (which is certainly by St. Ambrose) or on the phrasal similarity of its two lines "Accende lumen sensibus — Infunde amorem cordibus" with the line "Infunde lumen cordibus" of the hymn "O lux beata Trinitas" (which is probably by St. Ambrose). Borrowing from celebrated hymns was a common practice of medieval hymnodists. Mone ascribes it to St. Gregory because of its classical metre and occasional rhymes, and especially its prayerfulness, which he declares is a feature of St. Gregory's hymns; and the scansion of Paracletus (with the accent on the penultimate) he considers referable to the learning of such an author. The hymn was probably first assigned to Vespers. One eleventh-century manuscript has it at both Lauds and Vespers, two others have it at Lauds. Its use at Terce is said to have begun at Cluny — a highly appropriate assignment, as it thus commemorates the descent of the Holy Ghost at the third hour of the day (Acts 2:15). In the council held at Reims in 1049, Pope Leo IXpresiding, it was sung at the commencement of the third session in place of the ordinary antiphon, "Exaudi nos, Domine . It is found in several pontificals of the same century. It is the only Breviary hymn retained by the Protestant Episcopal Church, a translation being given in the Prayer Book (Ordering of Priests). There are about sixty English versions. Warton styles the translation of Dryden most elegant and beautiful. It begins: Creator Spirit, by whose aid 
The world's foundations first were laid, 
Come visit every pious mind, 
Come pour Thy joys on human kind; 
From sin and sorrow set us free, 
And make Thy temples worthy Thee. Sources JULIAN, Dict. of Hymnology (2nd ed., London, 1907), 1206-1211, 1720; DREVES, Lateinisehs Hymnendichter des Mittel-alters, II. in Analecta Hymnica, L (Leipzig, 1907), 193-4 (Latin text. MS. references, additional stanzas, notes), 180-1, biographical notice of Rabanus; FRERE, Introduction to Hymns Ancient and Modern. (hist. ed., London, 1909) p. (see hymns Nos. 180, 181, for text and two trs., two harmonized plainsong melodies, modern settings and comment); PIMONT, Les hymnes du bréviare romain, III (Paris, 1884), 125-143, extensive comment: "The other two hymns of Pentecost are mostly narrative, while the Veni Creator is entirely an address to the Holy Ghost. This characteristic trait, and the exceptional beauty of the hymn, have always made it dear and venerable to Holy Church . . . The Dominicana sing it only at Terce. Other manuscripts locate it at Matins. The ancient Ordinarium of Laon indicates its use at all the canonical hours. The nuns of the Paraclete (Nogent-sur-Seine) repeated the first stanza seven times at Terce, five times at Sext, and thrice at None." He refers to MARTÈNE, De antiq. rit. eccl., III, iv, c. 28; HENRY, The Hymn "Veni Creator Spiritus" in Amer. Eccl. Review (June, 1897), 573-596, text and original translation. comment; SHIPLEY, Annus Sanctus (London, 1874), gives trs. by AYLWARD (161), ANON. in Evening Office, 1710 (165), HUSENBETH (167), R. CAMPBELL (170). and in the Appendix, 10, 11, 26, 27, trs. of the Primers of 1604, 1619, 1685, 1706 (this last being Dryden's); MONE, Lateinische Hymnen des Mittelalters, I (Freiburg, 1853), 241-243; DANIEL, Thesaurus Hymnologicus, I, 213-215; IV, 124-126; DUFFIELD, Latin Hymn-Writers and their Hymns (New York, 1889), 114-131, text and original tr., biography of Rabanus, for whose authorship Duffield contends vigorously; The Seven Great Hymns of the Medieval Church (7th ed., New York, 1868), 134-139); Amer. Eccl. Review (May, 1900, 525), decree S.C.R. (20 June, 1899) concerning the doxology; IDEM (Oct., 1896, 432-434), the singing of the Veni Creator before the sermon at High Mass; JOHNER, A New School of Gregorian Chant (New York, 1906, p. 87) gives the melody with marked accents and calls attention to "the upward movement from the first to the third line . For imitative hymns: DREVES, Analecta Hymnica, XII, 139; XXI, 52, 56; XXX (three hymns); XLIII, 211; XXXIII, 23. OIT, L'Innodia ambrosiana in Rassegna Gregoriana. VI (1907), 490, gives the melody of the hymn Hic est dies verus Dei, shows that it is the same as that of the Veni Creator, remarks that "all the spirit of the Ambrosian hymnody is felt in this fresh and vivacious melody", and thinks that "the music probably belongs to Saint Ambrose; BLUME, Ein neuer Markstein in der liturgischen Hymnodie in Stimmen aus Maria-laach, LXXV, No. 1 (July, 1, 1908), 6and footnote, for comment on revision. About this page APA citation. Henry, H. (1912). Veni Creator Spiritus.In The Catholic Encyclopedia. New York: Robert Appleton Company.

CATHOLIC ENCYCLOPEDIA: Veni Creator Spiritus

The most famous of hymns, assigned in the Roman Breviary to Vespers (I and II) and Terce of Pentecost and throughout the octave

MLA citation. Henry, Hugh. "Veni Creator Spiritus."The Catholic Encyclopedia. Vol. 15. New York: Robert Appleton Company, 1912.<http://www.newadvent.org/cathen/15341a.htm>. Transcription. This article was transcribed for New Advent by Wm Stuart French, Jr. Dedicated to Rev. Kenneth Geyer, O.S.B. Ecclesiastical approbation. Nihil Obstat. October 1, 1912. Remy Lafort, S.T.D., Censor. Imprimatur. +John Cardinal Farley, Archbishop of New York. Contact information. The editor of New Advent is Kevin Knight. My email address is webmaster atnewadvent.org. Regrettably, I can't reply to every letter, but I greatly appreciate your feedback — especially notifications about typographical errors and inappropriate ads.

Why did you guys know this was filmed on Jack Dorsey‘s birthday no shit? @jack

OK so I was writing a whole story you know that includes anarchist and trying to join like everybody together but anyway below is some of my notes. I mean it’s long ago but yo for real guess what I learned the other day.

OK, seriously Jack’s saying he used reels. I was like yeah boy reals. OK so seriously let’s be honest. A lot of people are biased against Jack because you know the jack of him but I don’t know. I mean he’s a cool guy, right?

@rabble did AMAZING on this as did everyone involved

@Bitcoin zaps lightening Nostr @Simply Bitcoin cool Name @Ch!llN0w1 Bitcoin and chill but Old game was below 🔻 for game modification of world took game, modifying everything and everyone so therefore if we if we re-engineered everything then the game of Satoshi legends lives on …. Is bridge to fix @Amy Bridges @npub1pngv...kfp3 I mean that’s not kind of sounds like Tara Bridges … Bitcoin zaps CORE NOSTR @Bitcoin Core Project OK cool there’s bitcoin core Why @npub1pwxx...nth8 🏴‍☠️🏴‍☠️🏴‍☠️ #pirate wind.kite. 💨🍃🎐🌬️🪟 🪁 * waves .hyperspace. 🌊📡🤪🔗🪐 * tunnel.mobility.simple. 🍣🎶🎵📻. Elle woods copy … I mean, basically I can just go through and like fix the poem to explain things, but I think everyone gets the point right OK, so basically I’ve been on and off the Internet since the 1980s because I feared the 1984 Apple commercial * 4AM-hack. Now for me grid.tag.orange. .bang.rover.transit.proj.AI. Breathe out OK if you go down to the smallest grid square you know if you’re in the military, but you can also build the spiderweb around the world with bitch chat because it’s brilliant .communities.bike.courier.wow. .zerowork.dirt.pileonme.lift.k. * ped.zero.odyssey berkeley gust. * manhattan.crypto.caffeine.virus. .security.flow.core.berkeley.now. .noise.inbetween.network.bazaars. * anarchy terse.stentorian.speed. * pi.postcards .interface.plexus. * post.strings.research.mutate.
. tong.federation.background. * underground.zero-time.32. * copywrong: 2040.daemon.
.40.!?.pirate.bug. * jump.zoom.

Humble bee Honeycomb comb now complete Art with friends

OK, that’s not my poem but it has some you know like clues and everything. I have to remember it’s been so long, but Tong is in there so that matters and core is at the center and that matters because obviously bitcoin core is what and the core of me is hot as hell like others have described me asit being like an inferno when it goes off so and some say like they can like feel the heat rising as it goes up hold on I’m thinking this through, but I’m trying to be as humble as possible. It’s kinda hard.

GOOOD morning NOSTR … Check out my banger rose 🌹 from Local Chainsaw Artist. He offered me a great deal, but I was like no bro I’m paying what you had it originally marked because it’s worth all of it . Beautifully done .., craftsperson… right?

Good night everyone … Ima go sleep 💤 cause blazed & tomorrow will be long for me. Greeting of the day, Noster Good sleep 💤 and good luck 🍀

OK, so I started painting the top of this mask today with some nail polish called shuffle the deck because it is red silver with some shades of blue in there as well and I’m gonna paint the mask for my mom costume @Evan Hey bro, so what do you think about this for my bat costume? Also, I’m gonna go check on my bad boy and see if he’s been able to dive into the forest yet

Aliens 👽 rock and Santa 🎅🏽 alien 👽 has been with me since I was a teen. He goes everywhere with me. Hugs 🤗