My sense of colour came from my Seattle days where I saw the birth of the coloured images on the printed page
Tom Thomson
ttlastspring@getsafebox.app
npub1pczu...ehtq
Follow the Journal of My Last Spring on nostr. Tweeting in real-time from 1917
Jim MacDonald had the top floor in the Studio Building but due to illness in 1917 moved to ground floor
I produce my work for my own satisfaction, not for its effect on the crowd.
One must look through a sea of self-doubt when painting a canvas.
1915 Sunset #tt1915 #upclose 4 of 4 
The air nimbly and sweetly recommends itself unto our gentle senses ~ GTR brochure
Some say my colours are exaggerated, but that was the very colour in the light of the moment.
Carmichael described my canvas as having a vast expanse of grey and soggy sky.
Civilization is only a veneer. Deep down everyone revolts at civilization.
1915 Northern Spring #tt1915 
Follow the mystery #WhoKilledTomThomson https://lh3.googleusercontent.com/fTpthUrKgKn-lqfn16o6XKkfY5JLp3vjREX3q82TWNZP=w641-h677-no
The north-eastern section of the Park is great for sketching, the hills are steeper and the rapids are cataracts.
Canoe Lake 
Jackson described a canvas of Harris as Tomato Soup.
Without a pipe of tobacco and a good drink nothing can be done.
In spring 1916, I painted the West Wind sketch. Harris painted Laurie Lake.
1915-16 Forest Undergrowth III 