Osmar Schindler (German, 1867 - 1927) #art #portrait #drawing #figurativeart

Waiting Room by Erin Milez, 16 x 20”, acrylic and oil on canvas , 2025 #art #painting

source: instagram[dot]com/p/DRl5Uz1DKY_/

Vincent rented the Yellow House in Arles (FR), with a view over a small local park. It was right by what he casually called the ‘street of the good little ladies’ (yes, that’s a brothel reference). Even though the park itself wasn’t anything special, he saw something in it – and painted it. 🎨 On 11 October 1888, Vincent wrote to his brother Theo: ‘I’ve done a new no. 30 canvas, and I plan to start another one this evening when they light the gas. The one I’ve just done is another garden.’ He was writing about these two paintings: 1 ‘Entrance to the Public Gardens in Arles’, 1888 © The Phillips Collection 2 ‘The Public Garden with a Couple Strolling ('The Poet's Garden')’, 1888 © Private collection #VanGoghMuseum #VincentVanGogh #VanGogh #art #painting

“Master Bedroom” by Andrew Wyeth, 1965. #andrewwyeth #americanartist #art #americanart

by James Lengen, clay #art #sculpture source: instagram[dot]com/p/DRmyadPjNYc

Portrait of Karl Friedrich du Prel, Louis Eysen, 1881, graphite #ART #DRAWING

Portrait of Claus, Louis Eysen, 1895, charcoal #DRAWING #ART

hWayne Thiebaud, Pie Counter, 1963. Oil on canvas, 29 13/16 × 35 15/16 in. (75.7 × 91.3 cm). Whitney Museum of American Art, New York; purchase, with funds from the Larry Aldrich Foundation Fund. © Wayne Thiebaud / Licensed by VAGA at Artists Rights Society (ARS), New York #painting #art #pie

#photography #aerial source: bernhardlang[dot]de/tulipfields/av_tulip_fields_006-3

by Caledonia Curry aka SWOON #art #painting #drawing

#drawing #figuredrawing #art source: instagram[dot]com/p/DRaBTbtCZN1

Harrier and Jaguar. Fiona Banner. Tate Britain Duveens Commission 2010. Sea Harrier June 2010 - January 2011 #art #installation #aircraft

#art #drawing #figurative

#drawing #art #portrait source unknown

#drawing #art #portraiture

Cockfight in Flanders / Combat de coqs en Flandre (1889) by Rémy Cogghe (1854–1935) #painting #art #RémyCogghe #19thCenturyArt #Realism #FlemishTradition #LaPiscineMuseum #oilpainting Oil on canvas, 206 × 129 cm Location: Musée La Piscine, Roubaix (accession no. 924‑1‑1) info source: instagram[dotcom/p/DRhYu20ANoZ/ In this dynamic and charged genre painting, Rémy Cogghe captures the raw energy and social reality of a traditional cockfight — a spectacle deeply rooted in local Flemish culture. The crowded scene is alive with tension: spectators lean eagerly over the periphery, their faces rendered with vivid realism, while the two roosters at the center engage in fierce combat, their movements full of motion and threat. Cogghe’s masterful use of light and color brings the moment to life: earthy tones predominate, highlighting the grit of the arena and the intensity of the event. The figures’ postures, hats, and rough clothing evoke a working-class milieu, emphasizing the social dynamics at play. Rather than glamorizing violence, the painting conveys a sociological dimension — it’s not just a fight, but a communal gathering where men from different social strata converge, united by tradition and spectacle. On a deeper level, Combat de coqs en Flandre transcends its immediate subject to reflect on the shared identity of Roubaix’s industrial population. Despite the brutal nature of the fight, Cogghe infuses the scene with a sense of ritual and belonging: this is not chaos, but a performance rooted in long-standing social customs.

by Russian artist Nicolai Fechin #painting #art

Jules Bastien-LePage’s Re.: Les Foins source: instagram[dot]com/p/DRfa5OKkjFn

#charcoal #portrait #drawing source: www.instagram[dot]com/p/C_nqPjMJGSd/